Her questioning Ashwin is not just a sentiment at display. The Hindi film explores the slowly brewing love story between Ratna (Tillotama Shome), a widowed domestic worker, and her rich employer, Ashwin (Vivek Gomber). The act of wearing bangles is also a mental reminder that she is not limited by archaic traditions anymore. The two of them belong to the extreme ends of the social spectrum. “I can’t drop the ball now…” He pauses for a bit, an unusual break from his normal style of urgent monologues. He took a break in 2009 to spend time with his father, who passed away in 2010, before returning to Mumbai for a second shot at the fickle world of Indian cinema, but bolstered with an inheritance. While one of his latest acting assignments, the award-winning Sir, was lined up for release before the sudden closure of cinemas in response to the coronavirus, Gomber is all set for two more ambitious projects to see the light of day: Mira Nair’s mini-series A Suitable Boy, which released in the UK last month, and later in the year, Alankrita Shrivastava-Bornila Chatterjee’s web series Bombay Begums; both of which will stream on Netflix here. The last few lockdown months have seen some activity, primarily dubbing for Nair’s mini-series from home using a production company-delivered sanitised mike. Her words show her desire to uphold her dignity even if that may feel unnecessary to Ashwin. These years have been filled with auditions, a segue into production, at least one unfulfilled project, lots of hope, learning, personal losses and, sometimes, just waiting. “I want to be part of every CT film all my life.”. This is a beautifully made film but it's not without its share of problematic depictions. Ratna (Tillotama Shome) works as a live-in maid at the home of Ashwin (Vivek Gomber), an aspiring writer from New York, who has to give up his dreams to care for his family in Mumbai after his brother passes away. Opening this week ‘Is Love Enough, Sir’ movie review: A fairy tale about the romance between a maid and her employer Rohena Gera’s Mumbai-set drama stars Tillotama Shome and Vivek Gomber. She finds liberty in the vastness of the city and the terrace of the high-rise where she is a live-in domestic worker. “If I don’t break even on this… I’ll have to work hard for the next 10-20 years to earn back the money to produce.”. Rakuten TV provides a combination of services that offer a universe of content in just a fews clicks. Although Ashwin seems to have it all, Ratna can sense that he has given up on his dreams and is somewhat lost. The ambitious driver for a rich Indian family uses his wit and cunning to escape from poverty and become an entrepreneur. 'Sir' the film welcomes you back to cinemas with all safety precautions." [Are we not entitled to a dream just because we are poor?]". Their abrupt conversations might be due to linguistic differences, but is it just that? That period stretched to a year, but it didn’t bother the to-be producer. In addition to this, the other women who have the same class privileges as Ashwin—Sabina (Ashwin’s fiancée), Ashwin’s friends and his mother—are shown in a negative light. In another scene, he holds Ratna’s hand and leans in to kiss her. When she's traveling to the city from her village, Ratna fetches a set of glossy green bangles from her purse and puts them on with the hint of a smile on her face. THE EPIC OF GILGAMESH Schmeater’s family show about the mythical figure and “first superhero.” Volunteer Park, schmeater.org. In her absence. He’ll also be seen in Mira Nair’s A Suitable Boy, dropping on Netflix later this year. “I’m 41. I believed in him [Tamhane].”, “We’ve been together 10-11 years now. Court is a 2014 Indian multilingual legal drama film, written and directed by Chaitanya Tamhane in his directorial debut. Vivek Gomber is known for The Disciple(2020) ,Balekempa and Sir(2020). ‘Sir’ is special. “I was also growing up, I was 30-something. They don't have conversations where they are on an equal footing and yet, we're meant to believe that their love is true. Ratna (Tilottama Shome) works as the live-in domestic help for Ashwin (Vivek Gomber), who is due to get married to his girlfriend Sabina. “The stress in these four years [while making the film] has been huge.”. Hollywood agency ICM Partners has come on board Rohena Gera’s festival favorite “Sir” and will represent it for sales in Anglophone markets U.S., U.K. and Australia, among other t… He’d already met Tamhane a few years earlier, and was cast in his play Grey Elephants In Denmark. Free. Find Vivek Gomber movies, filmography, bio, co stars, photos, news and tweets. Vivek Gomber is an Indian film Actor, who has worked predominantly in Bollywood. It gives the audience a reality check on how people from the lower classes have been systematically deprived of their right to dream. When he asks her out, he enters her room without her permission again and sits extremely close. I had lost a person close to me, so I took some time,” he says, slowing down his speech. Now he goes to bed at four in the morning, wakes up a few hours later to strategise for The Disciple, which has Alfonso Cuarón as executive producer and is the first Indian film in nearly two decades to be in competition at a major European festival. “Where am I in my career?” Gomber muses. I love him,” he says, pausing to send Tamhane some air kisses. FEEL YOU UP! It doesn’t matter what gender or age – could be a fucking five-year-old. Get the latest on Vivek Gomber on Fandango. The actor and producer is kicking off September in high gear with a film, The Disciple, in competition at the prestigious Venice International Film Festival. When he's surprised that she dreams of becoming a fashion designer, she retorts, “Kya humare jaise logon ko sapne dekhne ka haq nahi hai? He is taken before a judge where he finds that he is charged with abetting the suicide of a sewerage worker by performing in a slum. He is doing some readings on Google Meet and adjusting to a new family member, six-month-old Bozo Lallu Singh Junior, who is snipping at Vivek Gomber’s ankles even as we speak on the phone. The film examines the Indian legal system through the Mumbai Sessions Court trial of an aging protest singer, Narayan Kamble (Vira Sathidar), who is accused of encouraging a manhole worker to commit suicide through one of his folk songs. The question is, would a domestic worker in such a situation really have the option to say 'no' to her employer in real life? Vivek Gomber on being the lead in Sir, producing independent cinema, and meeting Alfonso Cuaron. The dialogue hits hard because it not only highlights the differences between them but is also a reminder of how widows have been reduced as negligible beings in the societal structure for centuries. “If Mira, Rohena (Gera, director, Sir), Alankrita and Bornila haven’t fired me, hopefully, it means that I’ve learnt, right? Learning about music at 7am concerts Singaporean producer Vivek Gomber did so for The Disciple, a film about the relationships between classical musicians and those who orbit them Directed by Rohena Gera. And Tillotama Shome is bankably outstanding. It’s in complete contrast to his character Ashwin from Sir, a brooding, sad man recovering from a cancelled wedding. msn back to msn home entertainment. The Hindi film explores the slowly brewing love story between Ratna (Tillotama Shome), a widowed domestic worker, and her rich employer, Ashwin (Vivek Gomber). It’s quite a lot when you are 31 and someone who is 21, and hasn’t done much, is giving you shit,” says Gomber, smiling. In one scene, a tired Ashwin’s eyes linger on the wedding gifts his former fiancée had returned, and which are later kept in Ratna’s room. While it is easier not to pay heed to these problematic depictions because a romantic relationship does ensue eventually, we need to question why Ashwin's behaviour is considered acceptable, even romantic. “But I’m not that kind of an actor. Ratna works as a domestic live-in help with Ashwin, a man from a wealthy family. “The Disciple might be my last film [as a producer] because I’m broke,” he says theatrically. Apart from these little moments, Gera uses space and setting to convey the difference between the two worlds. Sir is a 2018 India.Hindi-language romantic drama film directed by Rohena Gera.The movie stars Tillotama Shome and Vivek Gomber and was produced by Rohena Gera and Brice Poisson. And what would the consequences of her refusing to give consent be? Vivek Gomber Competing for the Camera D’Or, Sir revolves around Ratna (Shome), who works as a domestic live-in help for Ashwin (Gomber), a man from a wealthy family in South Mumbai. He is unable to share the joy directly with people, like Tamhane or his mother or his girlfriend, actress Maya Sarao, because he is trapped, like everyone else, at home and on a Zoom screen, caught between euphoria, relief and anxiety. Without her permission. It shows how patriarchy ties in the life, aspirations and dreams of a woman only with her husband and how it all supposedly ends with his death. Sir is front lined by Tillotama Shome and Vivek Gomber, who can be seen playing the parts of Ratna and Ashwin respectively. Select from premium Vivek Gomber of the highest quality. A delicately observed study of class differences in Indian society, “ Sir ” stars Tillotama Shome as a domestic live-in help with Vivek Gomber, a man from a wealthy family who seems to have it all, but is somewhat lost. He combines many ideas in one sentence, digresses, pulls back, digresses again. Vinay Vora (Vivek Gomber, who also produced) is Narayan's lawyer, specializing in human rights abuses. I know the hierarchy – whoever is the director is the boss. Support our journalism by becoming a TNM Member - Click here. The Disciple, set in the world of classical music, will be in competition at this month’s Venice International Film Festival. And this can happen even when it is well-intentioned. At the time, the actor in him was reaching for attention. Tillotama Shome's Ratna is an ambitious small-town girl who begins a new life as a live-in maid in the house of the city-dwelling son of a wealthy family. His Bandra home, with white tile flooring and large windows offering a view of the sea, is deliberately sparsely furnished. Ratna is a lively woman but she dreads going back to her village in the interiors of Maharashtra and living a shackled life. Is Ratna’s character not being reduced to a sober version of the Manic Pixie Dream Girl whose sole existence is to help their men? But it is not as if the upper-class city-bred Ashwin is free of conditioning. A delicate, slow-burning romance between a wealthy NRI writer Ashwin (a sublime Vivek Gomber, last seen in A Suitable Boy) and his housemaid Ratna (Tillotama Shome, in … These incidents reveal how the class divide takes away the dignity of people, with the privileged lot being dismissive of other people's realities. Vivek Gomber carries his emotional baggage in such a quiet self-pitying way that he dispenses any sign of machismo. Vivek Gomber: Sir came to me at a time when nobody was offering me much work; Vivek Gomber: Sir came to me at a time when nobody was offering me much work Co-star Tillotama Shome's presence helped Vivek Gomber as he knew her as a friend. Crítica: Público recomendado: Adultos Xiao recoge un gran archivo de sonidos y declaraciones de personas, desde la respiración de las vacas hasta las manifestaciones de los "aloitadores", pe Tamhane was in a “nimble stage in life” when Gomber gave him a stipend to spend six months on the script. The basic synopsis is that an aged folk singer and ‘people’s poet’ is arrested mid gig by the Mumbai police. Wearing the bangles, in her own way, is an act of rebellion against patriarchy and the age-old customs that prohibit widows from dressing up or even wearing bangles. He enters the room and looks at her [Ratna] belongings. “My dad’s words were fresh [in my mind], step up, create something. “I want to take a moment, but there’s no time,” he says over a video chat. The film plays out like a poem, exploring the impossible and often moving dreams of two people whose love will likely remain unrequited. He wipes his eyes and looks into the inanimate screen. They would often rehearse while travelling from one point of Mumbai to another for the film's shoot. Vivek has worked in popular movies like Sir, Meridian. Basing the film in Mumbai, the city of dreams where multi-dollar sky-scrapers are built right next to the slums, the film moves away from a Disney princess prototype film of happily-ever-afters. It took [me] so long to be in a position where I finished a job and had another one ready. His … It’s taken 16 years, says Vivek Gomber, for his calendar to have back-to-back bookings for acting jobs. The veneer breaks only when we hear the term she addresses him by: Sir. Her silence need not necessarily mean consent, and yet we're led to believe that she wants it too. Starring: Tillotama Shome, Vivek Gomber, Geetanjali Kulkarni. He returned to India, after studying for a Bachelor’s degree in fine arts from Emerson College in Boston, for his ailing father and an acting ambition. But what’s currently sending Gomber into 20-second meltdowns, because he is just so happy, is his second venture as a producer, with director Chaitanya Tamhane. 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